In the course of those 13 episodes the American show departed in many details from the original. ‘The Underground Railroad’: Barry Jenkins’s transfixing adaptation of the Colson Whitehead novel is fabulistic yet grittily real.‘Succession’: In the cutthroat HBO drama about a family of media billionaires, being rich is nothing like it used to be.‘Dickinson’: The Apple TV+ series is a literary superheroine’s origin story that’s dead serious about its subject yet unserious about itself.‘Inside’: Written and shot in a single room, Bo Burnham’s comedy special, streaming on Netflix, turns the spotlight on internet life mid-pandemic.Here are some of the highlights selected by The Times’s TV critics: Television this year offered ingenuity, humor, defiance and hope. A nicely packaged DVD set of the first season, with English subtitles, can be ordered online - it currently costs about $38 plus shipping from Amazon’s British site - and watched on a computer with a media player that ignores regional coding. You can do it too, and legally, even though “Forbrydelsen” (“The Crime”) hasn’t been distributed in any format in America. That’s what I did recently in preparation for Season 2 of the American show, which begins Sunday night on AMC. It revealed who killed Nanna Birk Larsen, Rosie’s European antecedent, way back in 2007. The second was that if you really wanted to know the answer, or an answer, all you had to do was watch “Forbrydelsen,” the Danish show on which “The Killing” was based. One was that if the show’s writers had wrapped up the story in that 13th episode, those same fans and critics would have complained - justifiably - that the season had been rushed and confusing and that the killer had been identified too abruptly. In the wake of that cascade of ill will I had two thoughts. The explosion came later, when complaints poured in that the show had failed to solve the season-long mystery the network had advertised with the teasing slogan “Who Killed Rosie Larsen?” A gun was pointed at a murder suspect’s head, and then there was a quick cut to the credits. LAST June the first season of “The Killing” on AMC ended without a bang.
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